now booking / 240 titles mixed

Sound that carries itself.

Caveaudio designs, records and mixes sound for film, games and brands, and only pulls you in when it matters.

Book a session

free spotting session / stems included / no call with sales

Trailer mix v14

3 passes / 1 branch

running

100%

last takes

    plays nice with 40 tools, and with whatever rig you built yourself

    • PTpro tools
    • NUnuendo
    • ABableton
    • WWwwise
    • FMfmod
    • UEunreal
    • RPreaper
    • +33 more

    studio service

    Most of a mix is listening.

    Cut this to that. Check it sits in the room. Ask the director if it lands. Caveaudio takes the grunt work and leaves you the decisions.

    01

    Every pass, traced

    Each stem carries its own run log: what was processed, how long it took, and who still owes a listen.

    session 41982

    printed in 129 ms

    • align dialogue120 ms
    • match room tone8 ms
    • branch, over -24 LUFS1 ms
    • ask directoron Dana
    050100150200 ms

    02

    Sign-off where you already talk

    Mix notes land in the channel your team lives in. One tap to approve, one tap to hold, and the print waits for nobody else.

    #post-soundtoday

    Caveaudio9:41

    Final mix for the Northwind trailer is 2 dB hot. Print it anyway?

    loudness
    -22 LUFS
    project
    Northwind
    rule
    over -24 LUFS needs a human
    ApproveHoldwaiting 26 min

    03

    Every session, measured

    Takes per day, per room, per engineer. The busiest day glows, so you can staff the next one.

    sessions per weekday

    62 average

    • mon
    • tue
    • wed
    • thu
    • fri
    • sat

    [ what we are actually selling ]

    The best sound design is the onenobody notices in the cut.

    one tick, one take

    now

    • 09:00
    • 11:00
    • 13:00
    • 15:00
    • 17:00
    • 19:00

    reliability

    Quiet in the ways that matter.

    Backups, versions, loudness specs, delivery formats. The parts nobody demos, and the parts that decide the release.

    One engine, every format

    Caveaudio holds the stems, versions and loudness specs, so a mix behaves the same in a cinema or on a phone speaker.

    one engine, every delivery

      stems, versions, loudness, replay

      Mixed where your audience listens

      Pick London, Los Angeles or Tokyo. Sessions and stems stay in the room you chose, and the delivery sheet says so in writing.

      where sessions ran, last 24 hours

      • atmos-stage-a

        London

      • dub-stage-b

        Los Angeles

      • suite-03

        Tokyo

      a stem never leaves the room it was printed in

      daily view

      A Tuesday, heard from Caveaudio.

      The screen people actually keep open: what printed, what is queued, and who still owes a listen.

      this week, take by take

      next print in 12 min

      • 09
      • 11
      • 13
      • 15

        hands off

        82%

        of passes finish without a person in the loop

        waiting on people

        3approvals

        Longest wait: 26 minutes, in #post-sound

        retakes and recoveries

        • recovered
        • failed hard

        where it was mixed

        Every stem stays in the room that printed it

        credits

        Numbers we did not have to turn up.

        Counted across every project, including the ones that slipped. An honest average, not a best case.

        • volume

          62,000

          minutes of finished audio a year

          up 18% since March

          “We retired four plugins nobody understood and a spreadsheet that had been lying to us.”
          Marta Silvanipost supervisor, Fielder Pictures
        • time back

          11

          days saved per feature mix

          measured across 1,400 projects

          “Our editor stopped asking me for temp stems. They just land in the channel now.”
          Owen Brandtproducer, Cassette Games
        • first pass

          99%

          of mixes pass QC on first delivery

          the other 1% fixed and passed

          “What sold my team was the session log. When something clips we hear the exact take.”
          Tom Ekelunddirector, Bright Coast

        rates

        You pay for minutes, not for seats.

        Invite the whole crew on any plan. Nobody should ask permission to hear their own cut.

        estimate

        • 30
        • 300
        • 3,000

        your plan

        Series

        $890a month

        300 finished minutes, unlimited projects

        Book a session

        Feature

        $2,900a month

        • 3,000 finished minutes a month
        • dedicated dub stage and audit log
        • 1 year of stem history
        • named re-recording mixer, 4 hour response